![]() | ||||
|
Canberra Review (Australia): NTDTV Spectacular "A memorable and satisfying spectacle" "Myths and legends - Chinese New Year Spectacular"
Presented by New Tang Dynasty Television. Canberra Theatre. The NTDTV Chinese New Year Spectacular provided a fascinating opportunity to
view some relatively rare traditional Chinese classical dance and song. The
program was presented, not as you might expect, by a troupe from China, but by a
large company of Chinese dancers and singers gathered from all over the United
States and Canada, and including two who have worked with the Sydney Dance
Company in Australia, Vina Lee and Xuejun Wang. Sponsored by a New York based television station, the company, which was
formed in America four years ago, travels the world performing programs of dance
and music inspired by the traditions of China's 5,000 year cultural history,
with the aim of reviving interest in traditional Chinese culture. Meticulously
researched, the dances are based on ancient Chinese religious myths and legends
relating to Taoism, Buddhism and Confucian teachings. It was not necessary to be familiar with these elements, however, to enjoy
the spectacle of dozens of gorgeously costumed dancers performing relatively
simple steps while moving around the stage in unison. With the emphasis of the
choreography being more on the ensemble than the lead dancers, the most striking
features of the company are the tightly choreographed mass movement, superb
costumes and arresting backdrops, which, although based on traditional scenes of
China, include some intriguing digitally animated effects. How accurately the dances reflect the dynasties represented is of course open
to conjecture, however, at the performance I attended, they were excellently
performed by a well-trained company of beautifully costumed and superbly groomed
dancers. It would appear that Chinese classical dance has much in common with Western
classical ballet, because evidence of classical ballet training was obvious in
the supple backs and graceful arms of the female dancers, and in the
"pulled up" bearing of the men. Typical of the routines was a "Mongolian Bowl Dance" which involved
rows of graceful female dancers performing an elegant gliding dance, each
balancing three small bowls on their head. "Ladies of the Manchu
Court" had gorgeously costumed women moving elegantly on raised shoes,
while "Herding on the Mongolian Plains" allowed the male dancers to
display their prowess imitating energetic horsemen galloping across the stage. Inserted between the dances were an Erhu (Chinese violin) player and four
"classical" singers, who presented their items in a curiously stilted
formal manner, the tenor wearing western "tails" and the two sopranos
in Chinese versions of Western recital gowns. Interest was added for the
non-Chinese members of the audience by having the lyrics of the songs projected
onto the backdrop, and by having two pleasant American "Ken and
Barbie" comperes introduce all the items and explain their significance in
both English and Chinese. The heady combination of ancient dress and landscapes, digitally mastered
sets, admirable themes extolling loyalty, goodness, honesty, and swirling
energetic dancing provided a memorable and satisfying evening of ancient Chinese
spectacle. Source http://www.canberrareview.com.au/ed2096.htm Posting date: 4/1/2007
feedback@clearwisdom.net |
|||||||